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Jon Balke
Amina Alaoui
Siwan

Amina Alaoui vocal
Jon Hassell trumpet, electronics
Kheir Eddine M Kachiche violin
Jon Balke keyboards, conductor
Helge Andreas Norbakken percussion
Pedram Khavar Zamini zarb

Barokksolistene
Bjarte Eike: violin, leader
Per Buhre: violin
Peter Spissky: violin
Anna Ivanovna Sundin: violin
Milos Valent: violin
Rastko Roknic: viola
Joel Sundin: viola
Tom Pitt: cello
Kate Hearne: cello, recorder
Mattias Frostensson: double-bass
Andreas Arend: theorboe, archlute
Hans Knut Sveen: harpsichord, clavichord

 
Tuchia
O Andalusin¡
Jadwa
Ya Safwati
Ondas do mar de Vigo
Itimad
A la dina dana
Zahori
Ashiyin Raïqin
Thulâthiyat
Toda Ciencia Trascendiendo

Recorded September 2007
and March 2008

ECM 2042
 
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“I’m particularly pleased with the outcome and scope of the Siwan recording, an inspired meeting between musicians of the north and the south, a creative coming together of cultures. The potential of Jon Balke’s ideas and arrangements is, I believe, optimally realized in the architecture of the mix, which contrasts and finely balances very different yet strikingly compatible talents. Amongst them, Amina Alaoui, her voice conveying some remarkable poetic texts, the subtly powerful violinist Kheir Eddine M’Kachiche, Bjarte Eike’s twelve baroque soloists with strings and lute and harpsichord, master hand-drummer Pedram Khavar Zamini, and Jon Hassell, whose musical biography has long addressed the synthesizing of traditions.
In time, this music will be persuasively presented in concerts around the world, yet the recording itself, as the very first reference, is an unrepeatable event, of freshness and clarity, documenting the process of discovery.” - Manfred Eicher


Magical music, trailing deep roots. The listener is at first struck by the power of Amina Alaoui’s voice, soaring above Jon Balke’s remarkable compositions for baroque ensemble - with soloists drawn from jazz, scattered improvisational traditions, and the world of early music. Behind this remarkable musical integration is a web of philosophical, historical, and literary interconnections, as Balke and Alaoui set texts from Sufi poets, Christian mystics, troubadours and more and - inspired by the tolerant and creative spirit of medieval Al-Andalus - ponder what was lost to the bonfires of the Inquisition. Setting new standards in transcultural music, Siwan shows what can be made today when artists of the most divergent background pool their energies.

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